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Arizona Opera Cast Members & Creatives

Véronique Filloux

French-American soprano Véronique Filloux has been noted for her “expressive, lovingly shaded soprano” and for using her “dazzling coloratura and lithe stage presence to piquant comedic effect” (Opera News). A current Pittsburgh Opera Resident Artist, she sings Papagena (The Magic Flute), The Girl/Luna (The Rose Elf), and Frasquita (Carmen) in her second year. Previously, she sang Despina (Così fan tutte), Chan (Charlie Parker’s Yardbird), and the title role in Semele in the opera’s 2020/21 Season. Having spent summer 2021 with Des Moines Metro Opera as L’Amour/La Folie (cover) in Rameau’s Platée, she returns to the company this summer as Peaseblossom/Tytania (cover) in A Midsummer Night’s Dream. Other recent engagements include a recital with Musicians Club of Women and her scheduled debut with Raylynmor Opera as Nannetta (Falstaff; canceled due to COVID-19).

In the 2019/20 Season, Filloux was seen as Shepherdess/Soloist (Venus and Adonis) with Opera Lafayette, with whom she made her Kennedy Center debut as Tigrane (Radamisto) the previous season. She returned to solos in Carmina Burana, Jauchzet Gott in allen Landen, and Messiah with organizations including the Champaign-Urbana Symphony Orchestra and Bach Collegium San Diego, and she rejoined Music of the Baroque as Pales in Bach’s “Hunt Cantata.” Prior to COVID-19, she was scheduled to debut with Salt Marsh Opera as Clorinda (La Cenerentola) and to sing Jeannie in Opera Lafayette’s modern premiere of Philidor’s The Blacksmith. In light of COVID-19, she was a soloist in Des Moines Metro Opera’s Virtual Festival.

Spending two summers with Central City Opera, Filloux sang Papagena (Die Zauberflöte) and the title role in Debussy’s La damoiselle élue, earning the 2019 Opera Guild Artist Sponsorship and winning both the company’s Young Artist Award and Apprentice Artist Award. Other recent highlights include her work with Chicago Opera Theatre, covering Brigitta (Iolanta) and Doodle (The Scarlet Ibis), and solo work in Handel’s Dixit Dominus and baroque opera excerpts with Music of the Baroque. With the Maryland Opera Studio, her roles included Soeur Constance (Dialogues des Carmélites), Servilia (La clemenza di Tito), Mae Jones (Street Scene), Amore (Orfeo ed Euridice), Lucia (The Rape of Lucretia), and Lily (The Young King - world premiere). Other roles include Olympia (Les contes d’Hoffmann), Silberklang (The Impresario), Adele (Die Fledermaus), Annina (La traviata), and Isifile (Il Giasone). On the concert stage, she has also performed solos in Poulenc’s Gloria, Gordon/Lang/Wolfe’s lost objects, Whitacre’s Goodnight Moon, and several Bach cantatas.

Filloux is a Pittsburgh District MONC Winner, Jensen Competition Finalist, 1st Place Winner in the Camille Coloratura Awards, Orpheus Competition Handel Award winner, Annapolis Competition Encouragement Award Winner and Audience Favorite, 2nd Place Winner in the Dorothy Lincoln-Smith Vocal Competition, and Musicians Club of Women Lynne Harvey Foundation/Virginia Cooper Maier Award winner. She earned her B.M. in Voice/Opera Performance and Operatic Languages at Northwestern University and her M.M. in Opera Performance at the University of Maryland Opera Studio, where she was awarded the Pomeroy Prize in 17th and 18th Century Music.